Story and Photos: Jade Brayton (@)
Silverstein performed at The Crofoot for the 10 year anniversary tour of their album, Discovering the Waterfront. They were joined by four other bands: Beartooth, Hands Like Houses, Major League and My Iron Lung.
The lead vocalist of Major League, Brian Joyce, summed the tour up perfectly by saying, “Every one of these bands on this tour has a different sound to them and that’s what makes this tour so incredible.”
My Iron Lung and Major League are both new and upcoming bands, with a similar sound of a modern punk-rock. Hands Like Houses is an Australian post-hardcore band with an almost electronic sound to them, thanks to the keyboard. Vocalist Trenton Woodley can SANG.
Then there’s Beartooth, a hardcore band who can be a little overwhelming if you aren’t used to the hardcore scene. But overall, they put on a sick performance that anyone could appreciate. Just stay out of the pit.
When Silverstein’s backdrop was revealed, the crowd went crazy. And when the band arrived onstage, they went even crazier. In fact, this is not only the 10-year anniversary of one of the greatest Silverstein albums, but also their 15th year of being a band; a major feat for a band of this genre.
Silverstein began by playing some songs old and new, and even debuted a song called “Midwestern State of Emergency.” The song was written about Michigan vocalist Shane Told said, who also claimed that Michigan has always been one of his favorite places to perform. The band then epically unveiled another backdrop, which happened to be the cover for Discovering the Waterfront. They played their 11-song soundtrack in order, and every song sounded just like the ones fans have been listening to ten years. The best and craziest cuts were the fan favorites; “Smile In Your Sleep,” “My Heroine,” and an acoustic version of “Call It Karma.”
It was incredible how phenomenal Silverstein still is, after being around for 15 years. They sounded just as impressive as they do on record. Seeing the pure happiness on their faces performing a sold out show indicated how much their fans mean to them, but the fans were equally as pleased.
D’Angelo and The Vanguard
By: William Georges
Michael Eugene Archer, who goes by D’Angelo onstage, or R&B Jesus as dubbed by Christgau, has released his first album since Y2K, Black Messiah. The savior of modern R&B, his first two albums, Black Sugar, and the more upheld 2000 album Voodoo, combined the samurai sampling of Wu-Tang (thank you J-Dilla), the spirituality of Aretha Franklin, the seductiveness of Al Green, and the brute power of Prince, whisking them into a bowl of southern innovation.
Black Messiah, or any of D’angelo’s releases, are unique in that they do not simply showcase a voice that could melt even the most stalwart metalhead. Every second of Black Messiah is a reminder that D’Angelo still isn’t finished expanding R&B. Tracks like “Ain’t That Easy” and “1000 Deaths” harmonize arousal and spirituality behind sensual electricity, muted bass plucks and choir with some of the oddest time signatures this side of the Mississippi.
Nowhere in this album does D’Angelo put all his eggs in one basket—i.e“Sugah Daddy”; a juicy five minute R&B[anger] featuring choir falsettos, riding up and down sassy trumpet scales alters an already dynamic atmosphere. Additionally, D’Angelo proves that letting a simple hip/hop rhythm carry melodies like “Back to the Future (Part I)” isn’t necessarily succumbing to familiarity or reaching for ‘experimental minimalism’.
..But wait there’s more. For what would the king be without capturing the painful clapping and whistling Mississippi Delta blues? “The Door” paints D’Angelo as a prophet of drunken southern blues, reclined on train tracks howling as the city’s outliers clap in unison to his anthems of pain and regret.
Though probably not intended, D’Angelo’s Black Messiah feels like a memento of the 2000’s. With odd sampling reminiscent of Madlib’s “The Unseen”, the shrills and simplicity of Gnarls Barkley, the ambition of Andre 3000, and the sheer gravity of Jack White’s Mississippi Delta Blues reincarnation, D’Angelo comes back strong in 2014.
Start with: “1000 Deaths”, “Sugah Daddy”, “The Door”, “Another Life”
Similar: Frank Ocean, Gnarles Barkley, Outkast
White Clouds Tour
The Pike Room
December 9th, 2014
Story By: DJ Kobe
Photos By: Donnarice Photography
Upon arriving at the Pike Room in downtown Pontiac, I realized that I have never seen or heard of anyone on the bill except the headliner, Lil Debbie. The show started off slow with a slew of technical difficulties as well as a luck luster performance from the local opening act. Luckily the White Clouds Tour would not disappoint.
Chicago rapper Chi City was the first representation of the actual tour and his performance would set the tone for the rest of the event. Mixing his lyrical style with heavy 808 instrumentals, Chi City amped up the crowd with good energy and an overall good time. I like the fact that after his time on stage Chi City spent the remainder of the evening moving thru the crowd with fans.
Up next was rock rapper Godz. The rock rapper received a very good response from the crowd. However this wasn’t my favorite portion of the show simply because I had a hard time understanding what was being said on stage. What I could make of the lyrics seemed to be words of positivity. Godz came fully equipped with a drummer and a DJ.
New Cash Money Records signee Caskey was without argument the surprise of the night. The tattoo-covered MC fought through troubles with the sound system, rapping a good portion of his show a capella. Though his merchandise table was one of the rudest places I’ve ever been to, Caskey was very humble and very talented.
Last but certainly not least was Lil Debbie. Debbie took the stage around 11 o’clock for a packed house of mostly high school girls. I didn’t know what to expect; before December 9Th I was almost positive that I was the only person with an appreciation for songs like “Michelle Obama” and “Work The Middle”. I was wrong.
The California Sweetheart performed an energy packed show including her own person twerker. The crowd loved every moment. One fan even brought Debbie a dozen roses as a token of appreciation.
By the end of the show myself as well as my cameraman found our way to a back stage area where we got a chance to chop it up with Caskey, and Chi City. All in all the show was great. I’ll be keeping my eye on all of these artists as they progress in their careers.
The Loving Touch
November 29, 2014
Story and Photos by: Amber Lemons
Let me set the scene for you. You’re at a small bar that doubles as a concert venue. The place is packed with hipster men and women, and everyone seems to be having a good time. As soon as the first opener band strums a guitar chord, everyone cheers. Sounds like a great time, eh?
With my WXOU press pass and camera in hand, I spent my Saturday night chillin’ at The Loving Touch seeing Frontier Ruckus. Boy, was I glad I had the opportunity to attend this show!
The Kickstand Band was the first opener and they presented a chill vibe to. Most of their songs mentioned summer in them, and it made me wish it were! I can picture myself hanging out on the beach listening to them. The crowd seemed to agree with me because there was some head bobbing to the beat going on.
Mexican Knives took the stage next. The first thing I noticed was how laid back they all seemed to be. Most of them were drinking a beer when they began to play. This band is great if you are looking for grungy rock n’ roll. The lead singer, Ruth, had some vocals I was not expecting AT ALL. As soon as she opened her mouth I thought, “dang girl, get it!” Her voice is was powerful and I loved it. Mexican Knives had a bit awkward stage presence. Ruth would end up facing the opposite way than the crowd, which I found a bit odd. The crowd didn’t seem to care much though; they still hooted and hollered to show their appreciation.
Last but not least was the main act, Frontier Ruckus. You could tell the crowed was very excited for them to perform because almost every single person there fought their way onto the floor so they could be as close as humanly possible to the stage. I thought they had a great set list; a few of their older songs and some from their new 4th album, Sitcom Afterlife. We have this album at the station in our music library and I highly recommend you listen to it if you are into folk rock at all. I would describe their genre as garage band meets folk.
The band put on a great show, especially with the banjo and trumpet solos that the crowd loved. They were also very interactive with the crowd. It’s so much more fun when the band will actually talk to you rather than just perform and get off the stage.
At one point in the night, the lead singer, Matthew Milia, commented on how warm it was in the venue due to how many people were there. “This is the best kinda warmth, human generated warmth. Y’all should come live in my apartment with me all winter long.” Although I’m sure some of the fans would love to live with him all winter long, it might get a little crowded.
Overall, this was a great show with some great bands. I look forward to seeing all three of these bands again.